By Karen Isaacs
A clever idea that goes on for two hours when it would work best if it were 30 minutes at most, is the problem with The Play That Goes Wrong, now at the Lyceum Theater. BUT some will find it a riotous laugh fest. It depends on your enjoyment of extreme slapstick.
The British hit (it won an Olivier award, the equivalent of a Tony) with its cast intact, can provide some silly fun. But even silly fun can become tedious if it is over-extended.
Last year’s revival of Noises Off is a much better play than this concoction.
The conceit is that a student theatrical group is putting on a production of a typical Agatha Christie-like murder mystery, The Murder at Haversham Manor. It is opening night and not only are the actors pretty untalented but parts of the set keep falling down.
The show really focuses on physical comedy. Doors slam into people more times than you can count; people trip, fall, doors stick, windows are climbed through, and just about every other type of pratfall occurs, not once, not twice but multiple times.
I can only hope the cast has good health insurance; several have suffered multiple concussions doing the show in England.
The show opens with the “director” played by Henry Shields, appearing before the audience to welcome us and to apologize that the expected show is not the one we will see. Of course, that show is professional and better known. Even before he is doing this, we see various stage hands and the lighting/sound board operator running about trying to prop up the flimsy set of an old-fashioned English manor house. They even enlist an audience member to help.
Into the mystery we go. It appears that Charles Haversham has been murdered in his study on the very night of his engagement to Florence Collymore. So who could have killed him? The suspects include the fiancé who really loves Haversham’s younger brother, Cecil; Cecil himself; Florence’s brother, Thomas, an old friend of Charles’; and the long-time butler, Perkins.
Soon the detective, Inspector Carter, arrives to start trying to solve the case.
Simultaneously, the entire production begins to totally fall apart.
Let’s first talk about the actors. It’s difficult for a good actor to play someone who can’t act; but this young group of well-trained and experienced performers, pull it off.
We have the butler, Perkins, who not only has an emotionless voice but tends to put the emphasis on the wrong syllable, after looking at his hand where it is obviously written. Jonathan Sayer carries it off with deadpan accuracy.
Then there is David Hearn who plays Cecil Haversham. It is delightful to see him react to the audience’s reaction. At first startled, he soon begins to bask in the glow of the approval and attempts to maximize it, adding bits of stage business and communication with the audience.
Bob Falconer plays Trevor, the sound/stage board operator who too often misses cues because he is looking on his phone, the computer, or trying to locate a CD. He finds it when it accidently plays during the production.
Of course, Shields turns up as Inspector Carter; he is very good. The two women are Charlie Russell who plays the fiancé (Florence); she manages to get dragged through the window among other things. Plus, when she is knocked out, the stage hand Annie, played the night I saw it by Bryony Corrigan, takes over. When Florence comes to, Annie refuses to give up the role; they battle on stage, often echoing themselves.
In fact the entire cast is very good.
Special applause should go to Nigel Hook who created the scenic design as well as the stage hands who must keep putting the set back together. There is one scene where the balcony begins to tilt; it hangs in the air through shaking and slowly angling like the Titanic.
If you love physical, silly comedy and enjoy it for extended periods, you will find The Play that Goes Wrong hilarious. If that is not your favorite OR if you like it only in small doses, then you may find the play goes on too long.
It is at the Lyceum Theatre, 149 W. 45th St. Tickets are available through Telecharge.