By Karen Isaacs
Next to Normal at TheaterWorks.
You could criticize practically nothing in this production. Rob Ruggiero cast it brilliantly with Christiane Noll, David Harris, Maya Keleher (in her professional debut), Nick Sacks and John Cardoza. Ruggiero used the aisles to add to the intimacy; it was remarkable.
A Midsummer Night’s Dream at Hartford Stage
This Shakespeare play is done so often, it is easy to say “oh no, not again.” But Darko Tresjnak’s production was outstanding. He balanced all the elements and did not let any one of the multiple plots overtake others. His handling of the play put on by “the mechanicals” at the ends was terrific.
Fireflies at Long Wharf
Jane Alexander, Judith Ivy and Denis Ardnt gave touching performances, creating real people in this sweet romance about an older, retired school teacher, her nosy next store neighbor, a drifter. Gordon Edelstein kept it moving and preventedit from becoming saccharine.
Rags at Goodspeed
This story of Jewish immigrants on the lower east side of New York was completely revamped for this production: extensive revisions of the book, lyrics and songs. The result wasn’t perfect but with Rob Ruggiero’s sensitive direction, this show touched the heart.
The Absolute Brightness of Leonard Plekey at Hartford Stage
This may have been a touring show, but James Lecesne not only was brilliant in turning his novel into a one actor play but did so much outreach in the community on the issues of teens facing bullying due to sexual orientation.
Diary of Ann Frank at Playhouse on Park
David Lewis made full use of the large and sometimes awkward stage area to create the attic in which the Franks and others hid for many years. Director Ezra Barnes cast the show almost perfectly from Isabelle Barbier as Anne to the entire ensemble. It was touching and real.
A Comedy of Errors at Hartford Stage
It is perhaps Shakespeare’s silliest play and director Darko Tresnjak emphasizes it beginning with his own colorful Mediterranean village set, a canal with real water and more. Who cares if the lines sometimes gets lost in the process?
Seder at Hartford Stage
How do you survive in a repressive regime? How do you make others, who have not lived through it, understand your choices? That was at the heart of this new play which thoroughly engaged me. Plus it had Mia Dillion once again showing her skills.
Wolves at TheaterWork
Wolves was a sensitive and insightful look into both the world of girls’ sports (in this case a soccer team) but also into the society that teenagers create for themselves. Though a few of the young actresses looked a little too old, we become totally engaged in them and their lives.
The Games Afoot at Ivoryton
Sometimes just seeing actors have a great time with a so-so play is more than enough. That was the case in this comic thriller by Ken Ludwig. It succeeded because of director Jacqueline Hubbard, set designer Daniel Nischan and a cast that just had fun.
The runners up
“Trav’lin’ –the 1920s Harlem Musical at Seven Angels.
It may not be a great musical, but this show introduced me to a lesser known composer – J. C. Johnson who wrote “This Joint is Jumpin’” and many others. The plot is simplistic but the cast was wonderful.
Noises Off at Connecticut Repertory Theater
My favorite farce got a fine production this summer with some inventive touches by director Vincent J. Cardinal, terrific casting and timing that was just about perfect.
Million Dollar Quartet at Ivoryton
This show lives and dies on the quality of the performers and here Ivoryton Playhouse and executive director Jacqui Hubbard hit the jackpot. All six of the major performers are experienced and the four “legends” have all played their roles before.
The Bridges of Madison County at MTC
The music is glorious and Kevin Connors created a production that worked very well on his three sided stage. While the chemistry didn’t seem to be there, musically the cast was strong.
The Great Tchaikovsky at Hartford Stage
Hershey Felder combines his talents as pianist, actor and director to create shows about the lives for well-known popular and classical composers. This show about Tchaikovsky was a delight.
Heartbreak House at Hartford Stage
Darko Tresnjak directed this version of Shaw’s masterpiece. It might have made the top ten BUT for one decision that Tresnjak made: he decided to make Boss Mangan a Donald Trump look/act alike. The similarity would have been recognizable without it and it distracted from the play.
Endgame at Long Wharf
Samuel Beckett writes difficult plays requiring an audience to understand his pessimistic world view and his abstract characters and plots. Gordon Edelstein directed a production that may not have been definitive but gave us outstanding performances by Reg E. Cathey, Brian Dennehy and Joe Grifasi.
Biloxi Blues at Ivoryton
This Neil Simon play, part of the Eugene trilogy got a fine production directed by Sasha Bratt that focused less on the laughs and more on the situation.
Native Son at Yale Rep
This production boasted a terrific performance by Jerod Haynes as Bigger, an urbanset by Ryan Emens and jazzy sounds by Frederick Kennedy that produced a taut, film noir feel to this story about race and prejudice.
Romeo & Juliet at Westport Country Playhouse
Mark Lamos, who is a fine director of Shakespeare gave us a pared down version of this classic tragedy that featured some fine performances – including Nicole Rodenburg as Juliet, Felicity Jones Latta as the Nurse, and Peter Francis James as Friar Lawrence, plus a magical set by Michael Yeargan. Lamos emphasized the youth and energy.
West Side Story at Ivoryton
This production had many more plusses – Mia Pinero as Maria, Natalie Madion as Anita, good direction by Todd L. Underwood – than minuses.
By Karen Isaacs
Two new Scrooges are gracing Connecticut stages this holiday season. Each will bring takes on the classic character and story of A Christmas Carol.
A new musical version of the story is at Goodspeed Musicals through Sunday, Dec. 24. A Connecticut Christmas Carol is the brainchild of LJ Fecho and Michael O’Flaherty, Goodspeed’s longtime music director.
“We had the idea about two years ago,” O’Flaherty said. “We had done a very silly and fun Pennsylvania Dutch version a few years ago. Larry (the book is written by him) suggested setting it in Connecticut”.
The setting is the Goodspeed Opera House around 1925 and where William Gillette, the famous actor who lived up the river from the Opera House, planning a production of the story.
The unique part of this production – besides a totally original score that O’Flaherty characterizes as “pure musical” – is that the various ghosts are famous Connecticut residents – from Mark Twain, Harriet Beecher Stowe and P. T. Barnum. These three play the ghosts of Christmas Past, Christmas Present and Christmas yet-to-be.
This Scrooge, played by Lenny Volpe (he was Cap’n Andy in Goodspeed’s production of Show Boat) is not an ogre, O’Flaherty said. “We needed someone with strong comedic chops who could pull off the lightness of the ending.”
The show is being presented at Goodspeed’s Terris Theatre in Chester. There’s a number of special events and promotions during the run. For information and tickets, visit Goodspeed.org or call 860-873-8668.
While the production is a favorite of theater goers throughout the state, a new Scrooge is taking over at Hartford Stage. The annual presentation of A Christmas Carol – A Ghost Story of Christmas which runs through Saturday, Dec. 30.
It’s the 20th year for this adaptation by former Artistic Director Michael Wilson; each year it sells out, despite many performances. For most of these twenty years, Scrooge was played by Bill Raymond. But last year, he announced his retirement.
Michael Preston, who had played Mr. Marvel has taken over the part. It’s being staged by Artistic Associate Rachel Alderman. Alderman says this year’s production features some new costumes and new designs. While admitting to some hesitation at taking over from Raymond, Preston said he is looking forward to creating his own interpretation of the classic character.
In addition to all the usual performances, for the fourth year, a sensory-friendly performance is scheduled for Saturday, Dec. 2. Ticket prices are reduced by 50 percent to make the show more accessible for families with autism or other sensory sensitivities. Changes in the production include reductions in jarring Moises or strobe lights and startling effects. In addition house lights are only dimmed, audience members can move about and there is trained staff, volunteers and designated quiet areas and stress relievers available. For information about this performance visit hartfordstage.org/sensory-friendly.
A Christmas Story
One of the first holiday shows is a return visit of the Broadway musical, A Christmas Story, at the Bushnell in Hartford, Friday, Nov. 24 to Sunday, Nov. 26. The musical that had numerous Tony nominations is based on the Jean Shepherd essay which became a classic film. The creative team of Benj Pasek and Justin Paul (Tony Award for Dear Evan Hansen, Academy Award for La La Land), did the music and lyrics. It’s about Ralphie, his desire for a Red Ryder air rifle, and his family in an Indiana town in the 1940s. Though it is a short run, the show is terrific and it will get the holiday season off in a heart-warming but comic way. For tickets visit bushnell.org or call 860-987-5900.
Very few people remember the days when radio aired plays with live studio audiences watching as the actors played multiple parts, carried scripts and presented well works and created reality with the aid of sound effects.
Connecticut resident has adapted two famous Christmas stories into the radio play format. Each has become a holiday tradition, not just in Connecticut but throughout the country.
Ivoryton Playhouse is giving us It’s a Wonderful Life: A Live Radio Play from Thursday, December 7 to Sunday, Dec. 17. Inspired by the classic American film, five actors, directed by Sasha Bratt, perform the dozens of characters in the radio play as well as produce the sound effects. For tickets visit IvorytonPlayhouse.org or call 860-767-7318.
While you are attending the Playhouse you can also see the Ivoryton Illuminations which runs to Friday, Jan. 5. More than 350,000 lights are throughout the village and on Connecticut’s tallest Christmas tree.
MTC (Music Theatre of Connecticut) gives us the radio play version of A Christmas Carol from Friday, Dec. 1 to Sunday, Dec. 17. Again, you are the studio audience as actors play multiple roles and handle sound effects to create the perfect illusion for the radio audience who would be listening at home. For tickets, contact musictheatreofct.com or call 203-454-3883 MTC is located at 509 Westport Avenue (behind Nine West) in Norwalk.
We all love the cartoon of A Charlie Brown Christmas, but now you can see a live production on stage at the Bushnell. All the favorite Peanuts characters come to life in this all-new touring stage adaptation of Charles M. Schulz’s classic Emmy and Peabody Award-winning animated television special – all set to Vince Guaraldi’s unforgettable music. It runs Friday, Dec. 1 to Sunday, Dec. 3. For tickets visit bushnell.org or call 860-987-5900.
Another well-loved TV cartoon, Rudolph, the Red-Nosed Reindeer, makes a stop at New Haven’s Shubert Theatre. The show is new to the city though it played in Hartford for two years. It runs Friday, Dec. 8 to Sunday, Dec. 10. For tickets visit Shubert.com or call 203-562-5666
The holiday season would not be the same without productions of Tchaikovsky’s famed ballet, The Nutcracker.
A very original take on the classic, returns to the Bushnell in Hartford where it wowed audiences last year. That’s The Hip Hop Nutcracker, an evening-length production performed by a supercharged cast of a dozen all-star dancers, DJ and violinist. The press materials says, “Through the spells cast by the mysterious Drosselmeyer, Maria-Clara and her prince, Myron, travel back in time to the moment when her parents first meet in a nightclub. Digital scenery transforms E.T.A. Hoffmann’s story of a palace of sugarplums into a romance set in 1980s Brooklyn. The dance work celebrates love, community and the magic of New Year’s Eve.” It’s at the Bushnell on Sunday, Dec. 17. For tickets contact bushnell.org.
You have your choice of more traditional takes on the classic. The Connecticut Ballet’s production, Saturday, Dec. 16 and Sunday, Dec. 17 is in Stamford and features guest arts from the New York City Ballet and the American Ballet Theatre. For tickets visit palacestamford.org. The Bushnell has the Nutmeg Ballet’s production also on Saturday and Sunday, Dec. 15 and 16. For tickets visit burshnell.org. The New Haven Ballet at the Shubert Theatre features guest artists from major ballet companies. It’s Saturday and Sunday, Dec. 16 and 17. For tickets visit the203-562-5666 or at www.shubert.com.
In addition, The Kate is broadcasting the Bolshoi Ballet’s Nutcracker in high definition on Tuesday, Dec. 19. Toyota Oakdale Theater is presenting The Great Russian Nutcracker on Saturday, Dec. 2. For tickets, call 800-745-3000.
If you are looking for something a little more cynical or adult, you have several choices. The Shubert Theater is presenting The Santaland Diaries based on the essay by David Sedaris. This one person play is about the fictionalized experiences of Sedaris when he worked one Christmas season as an elf at Macy’s – 34th Street Santaland. It runs Friday, Nov. 24 to Sunday, Nov. 26.
TheaterWorks in Hartford is bringing back Christmas on the Rocks for the fifth year. This series of short one-act plays, shows us what all of those famous children from various holidays stories became when they grew up. So we see an adult Ralphie (A Christmas Story), Tim (A Christmas Carol), Clara (The Nutcracker), Charlie Brown (A Charlie Brown Christmas) and more. A new episode this year is based on the children from It’s a Wonderful Life. It runs Tuesday, Nov. 28 through Saturday, Dec. 23. For tickets visit theaterworksHartford.org or call 860-527-7838.
Sister’s Christmas Catechism is also returning to Connecticut stages this year. It’s at Long Wharf Theatre from Tuesday, Dec. 5 to Sunday, Dec. 17. It’s subtitled The Mystery of the Magi’s Gold and Sister uses science, local choirs and some audience members to find out what happened to the gold. There’s lots of audience interaction. For tickets visit longwharf.org or call 203-787-4282.
Playhouse on Park is again presenting what is billed as a “Burlesque Extravaganza,” Mama D’s Christmas Stocking: Where’s Santa? What is it? The press material says it’s a celebration of “all things sexy in an evening of music, dance and comedy.” The material admits “We’re rude, we’re crude and we’re partially nude.” The event is scheduled the weekends of Dec.15-16, 22-23, 29-30 and a special New Year’s Eve show. For tickets or information, visit playhouseonpark.org or call 800-523-5900.
With so many offerings, you are bound to find something that will fit your schedule and your taste.
This content is courtesy of Shore Publication Weeklies and zip06.com
By Karen Isaacs
The gala celebration of Connecticut’s professional theater, co-chaired by Shore Publishing’s own Amy Barry, produced winners from both the largest professional theaters in the state and some of the smaller.
The big winners were The Invisible Hand produced by Westport Country Playhouse and Next to Normal produced by TheaterWorks.
Invisible Hand by Ayah Akhtar won outstanding drama, outstanding director (David Kennedy) and outstanding actor (Eric Bryant). The play is about an American banker who is held hostage in Parkistan; it deals with economics, terrorism and religious fundamentalism.
Next to Normal, the musical about a family dealing with the mother’s bipolar condition received awards as outstanding musical, outstanding director (Rob Ruggiero), outstanding actress (Christiann Noll), outstanding lighting (John Lasiter). Maya Keleher who played the daughter received the debut award.
Special awards were presented to actor Paxton Whitehead for his body of work; he has appeared frequently at Westport Country Playhouse in productions of works by Joe Orton and Alan Ayckbourn. The presentation was made by noted director John Tillinger.
Tillinger also made a brief tribute to playwright A. R. Gurney who died in June. Not only did Gurney live in Connecticut, but many of his works were produced here. Tillinger directed a number of them at Long Wharf and Hartford Stage.
James Lecesne, actor, playwright, novelist and activist was honored for his outreach activities while performing his play The Absolute Brightness of Leonard Pelkey at Hartford Stage this year. Lecense talked about the impact theater can have on audiences and spoke of how it had “saved” him as a gay teenager. Many winners made similar comments on the importance and impact of theater.
The Tom Killen Award for contributions to Connecticut theater (and theater in general) was given to Paulette Haupt who has served as the artistic director of the National Musical Theatre Conference at the O’Neill Center in Waterford since 1978. Among the 120 new musicals she has selected and helped include In the Heights, Nine, Avenue Q and many more. She’s been instrumental in the careers of Lin Manuel Miranda, Maury Yeston, Tom Kitt and others.
Three of Connecticut’s smaller professional theaters – the Summer Theater of New Canaan (STONC), Music Theater of Connecticut (MTC) and Seven Angels Theater in Waterbury were honored. Jon Petersen received the award for outstanding solo performance at Seven Angels as Anthony Newley in He Wrote Good Songs. Peterson was unable to attend because he is starring as the Emcee in the national tour of Cabaret which was in Portland, Oregon.
West Side Story at STONC received awards for outstanding choreography (Doug Shankman) and outstanding actor in a musical (Zach Schanne)
Kate Simone received outstanding featured actor in a musical for her performance as Louise in Gypsy at MTC.
Hartford Stage took home awards for outstanding actress in a play (Vanessa R. Butler) in Queens for a Year, outstanding featured actress in a play (Connecticut resident Mia Dillon) in Cloud 9 and featured actor in a play (Cleavant Derricks) for The Piano Lesson. The theater also received three awards for A Comedy of Errors) – outstanding set design (Darko Tresjnak), outstanding sound design (Jane Shaw) and outstanding costume design (Fabio Toblini).
Rhett Guter who is now in rehearsal as Curly in Goodspeed’s Oklahoma! won outstanding featured actor in a musical for last year’s Bye, Bye Birdie at Goodspeed. He played Birdie.
Long Wharf’s production of Steve Martin’s Meteor Shower received the award for outstanding ensemble.
Among the presenters were Sirius-XM radio’s Broadway channel program director Julie James, producer Patricia Flicker Addiss, Tony-winning set designer Michael Yeargen and two former artistic directors of Connecticut theaters: Michael Wilson of Hartford Stage and Michael Price of Goodspeed Musicals.
Terrence Mann, three time Tony nominee, and artistic director of Connecticut Repertory Theater’s Summer Stage hosted the evening. Bobby Conte Thornton, star of Broadway’s A Bronx Tale provided two terrific songs.
But perhaps the stars of the evening were sisters Ella and Riley Briggs, two adorable young girls with bright futures ahead them. Ella played the young Frances Gumm in Chasing Rainbows last year at Goodspeed and she and Riley were both in Godspeed’s It’s a Wonderful Life.
This content courtesy of Shore Publications and zip06.com.
By Karen Isaacs
Connecticut’s professional theaters produced over 40 shows from June 2016 to the end of May 2017; plus various national tours played the major producing houses. Connecticut theatergoers had over 60 productions to choose from. I saw nearly 90 percent of the shows at the professional theaters and some of the national tours.
So how did the season measure up?
My top plays:
The Invisible Hand at Westport Country Playhouse
Queens for a Year at Hartford Stage
Scenes of Court Life at Yale Rep
A Comedy of Errors at Hartford Stage
The Piano Lesson at Hartford Stage
Meteor Shower at Long Wharf
Endgame at Long Wharf
Heartbreak House at Hartford Stage
My top musicals:
Next to Normal at TheaterWorks
Bye, Bye Birdie at Goodspeed
Gypsy at MTC
He Wrote Good Songs at Seven Angels
The top touring shows:
The Absolute Brightness of Leonard Pelsky at Hartford Stage
A Gentleman’s Guide to Love & Marriage at the Bushnell
The King & I at the Bushnell
An American in Paris at the Bushnell
A Curious Incident of the Dog in the Nighttime at the Bushnell
Shows that pleasantly surprised me:
Absolute Turkey at CRT
Bilox Blues at Ivoryton
Trav’ling – the Harlem Musical at Seven Angels
Half of my top plays were new – often world premieres..
Many musical productions were fine overall productions, but either not exciting shows or not exciting productions.
The Bushnell had a stellar season of national tours including the rarity of a play.
Darko Tresjnak continue to prove he is also a terrific scenic designer with Italian setting for A Comedy of Errors.
Among the Disappointments.
Unfortunately some shows that I had looked forward to disappointed me. Mostly they were well directed and well- acted, but they just did not maximize their possibilities. Sometimes it is new play which is still being developed or trying to do or say too much.
Assassins at Yale Rep. I’ve seen and liked the show in the past, but this production just missed, at least for me.
The Most Beautiful Room in New York at Long Wharf. What can I say? It didn’t live up to my expectations.
Napoli, Brooklyn at Long Wharf. More soap opera than compelling drama.
Camelot at Westport. This minimalist version was just too minimal though the performances were fine.
But even these productions had elements that were enjoyable and were well worth seeing.
By Karen K. Isaacs
Not many people remember when radio stations broadcast plays performed in front of live studio audiences. The listening audience had only their imaginations, the voices of the performers, the reactions of the live audience and the sound effects to recreate the play.
Joe Landry – who is the marketing/public relations director at Music Theater of Connecticut in Norwalk – a number of years ago imagined a radio production of the holiday classic It’s a Wonderful Life. The first production was in 1996 and it has been performed throughout the country and world ever since.
It is returning to MTC through Dec. 18.
Not only does it recapture all the most important scenes of the classic movie, it also introduces many audiences to the concept of the radio play.
As you are waiting for the play to begin, we hear the “15 minutes to air” announcements to the cast. Then the MC Freddie Filmore (played by Allan Zeller) warms up the audience by encouraging applause – yes, there are applause lights that go on to encourage the audience’s participation – and introducing the actors.
Then the show begins. Just five talented performers play all the characters changing voices to fit the character. They hold scripts and add in gestures and facial expressions that help the live audience to understand the characters more.
Director Kevin Connors has assembled a talented cast to play the roles. Each creates both the personality of the radio actor AND the characters he or she plays.
Jon-Michael Miller plays the actor Jake Laurents who has only one role: George Bailey. He is earnest and yet at times discouraged and upset. Allan Zeller is the actor Freddie Filmore who not only serves as MC but also plays the villain of the piece, Henry F. Potter and others. Jim Schilling as the actor Harry “Jazzbo” Heywood also plays a multitude of roles including that of Clarence, the angel second class.
All the female roles are played by Elizabeth Donnell as Sally Applewhite who plays Mary and others; Elisa DeMaria is Lana Sherwood who plays Violet Bick among others.
It is delightful to see the performers switch roles and voices seemingly at the drop of hat. You are never confused by who they are at any given moment.
Diane Vanderkroef has given us authentic 1940s costumes. The set by Jordan Janota replicas a radio studio though I would have liked to see the sound effects area – which the various actors take turns using to create sounds – in a more prominent area. But it may have been where I was seated that obscured the workings. Part of the fun of this piece is to see how the various sounds – doors opening, etc – are created. I also would have liked to see more interaction among the various cast members.
All in all this is a delightful way to experience both the original film story and to see how people enjoyed plays in their homes, “back in the old days.”
It’s a Wonderful Life –A Life Radio Play is at MTC, 509 Westport Ave, Norwalk, through Dec. 18. For tickets visit musictheatreofct.com.
Sentimental, Classical, Cynical – Connecticut Offers Holiday Performances and Concerts for All Ages and Tastes
By Karen Isaacs
How do you like your holiday entertainment? Sentimental? Serious? Classical? Popular? Young child-friendly? Cynical?
You can find performances that will entertain you no matter how you answered the questions. Connecticut’s varied theater and musical venues are offering a wide variety of events suitable for all ages and tastes.
Just as A Christmas Story and White Christmas are among the classic holiday films, you are bound to see on TV, A Christmas Carol, The Nutcracker and The Messiah are classics of theater and music.
The most famous production of A Christmas Carol is the one that has been enchanting audiences at Hartford Stage for 19 years. It runs Friday, Nov. 25 through Friday, Dec. 30. This production which breaks box office records every year was adapted and originally directed by then Artistic Director Michael Wilson. He brought it from Fort Worth/Dallas when he arrived in Hartford and it has been a smash ever since. This production is official called – A Christmas Carol—A Ghost Story of Christmas. It features lots of ghosts – not just Marley – and they fly around the stage. It also features music of the period, but this is NOT a musical. Many of the cast members have returned year after year.
Bill Raymond has announced that this is his last year as Scrooge. As Michael Wilson has said, “Bill Raymond and I created Hartford Stage’s A Christmas Carol together 19 years ago. He has, for 17 of the last 19 years, put his inimitable, distinctive mark on one of the greatest characters of English literature. He joins actors such as Lionel Barrymore, Alistair Sims, Albert Finney and George C. Scott in an elite club of extraordinary actors who have left their indelible mark on Dickens’ classic story of redemption and grace.”
Each year the cast is joined by area children and students from the University of Hartford’s Hartt School. The show is recommended for children eight and older, though my granddaughters were about six when they started seeing it. The ghosts can be scary, so use your own judgement.
As part of the production, Holiday Market Days are held before specific Saturday and Sunday matinees. Local artisans offer unique gift items for sale in the lobby between 12:30 and 2 p.m.
For information contact Hartford Stage or call 860-527-5151.
Handel’s The Messiah is the most famous piece of classical holiday music. While many groups perform it during the holiday season, the New Haven Symphony together with the Christ Church Choir will offer four performances conducted by Maestro William Boughton. The performances kick off on Thursday, Dec. 15 at Woolsey Hall in New Haven. At that performance there will concession sales and other features that raise money for the New Haven Community Soup Kitchen. Additional performances are Friday, Dec. 16 at Sacred Heart University Chapel, Fairfield; Saturday, Dec. 17 at the First Congregational Church, Madison; and Sunday, Dec. 18 at the Performing Arts Center at Middletown High School. Tickets and information are available New Haven Symphony or 203-865-0831.
The Kate in Old Saybrook will present the Annual Handel “Messiah” Sing (or Listen!) on Sunday, Dec. 18. The professional soloists and the chorus of talented singers conduct a sing-a-long for everyone. Or you can just listen. Contact The Kate or 877-503-1286 for information and tickets.
The Nutcracker is the classic holiday ballet and many dance groups offer their versions of it. New Haven Ballet presents its production of the Tchaikovsky classic at the Shubert Theater from Friday, Dec. 9 to Sunday, Dec. 11. It features students from the Ballet and live music by the Ballet Orchestra. Guest artists from major ballet companies dance as the Sugar Plum Fairy and her Cavalier.
If those dates or location aren’t convenient, the Nutmeg Ballet will present its production at the Bushnell Theater in Hartford on Saturday and Sunday, Dec. 17 and 18. The cast includes professional trainees from the Nutmeg Conservatory of the Arts. Visit The Bushnell.
Would you like to see a more irreverent take on The Nutcracker? The Bushnell is presenting The Hip-Hop Nutcracker which is described as a holiday mash-up of the classic. There’s a DJ, a violinist, dancers and Kurtis Blow as the special guest MC. It’s on Sunday, Dec. 4. Visit The Bushnell.
The Kate is also presenting the Bolshoi Ballet’s Nutcracker on its HD screen on Sunday, Dec. 17.
For Younger Children
Younger children (from 3 to 8 or 9) may get restless at a full-length production that is 2 hours or more even if it has an intermission. But rest assured, Connecticut’s performing venues have not forgotten them during the holidays. And while these may be ideal for children, they often pleasures for the adults accompanying them.
Bridgeport’s Downtown Cabaret Theater has had a well-respected children’s theater that runs year around for decades. It is geared to children below pre-teen age and has the added benefit that it is set up as a cabaret: round tables and you can either purchase or bring food and drink that will help keep younger kids occupied. For the holiday season the theater will offer its take on Frosty, the Snowman which runs through Thursday, Dec. 29. Tickets are quite reasonable but many weekend dates sell out early. For tickets visit Downtown Cabaret or call 203-576-1636.
A little farther afield, Westport Country Playhouse is presenting A Very Electric Christmas produced by the Lightwire Theatre on Sunday, Dec. 18. As the press materials the show includes “timeless holiday hit tunes by Nat King Cole, Mariah Carey, Tchaikovsky, and more. Santa’s helpers are putting the final touches on presents as a young bird finds himself lost at the North Pole. As he makes his way home, he meets dancing poinsettias, Nutcracker soldiers, and other festive characters. Recommended for ages 5 and up. For tickets visit Westport Country Playhouse or call 888-927-7529.
The Bushnell is once again presenting Rudolph the Red-Nosed Reindeer: the Musical which is based on the classic TV show. It’s the third year that Rudolph, Santa and the other reindeers will delight the entire family. It runs Friday and Saturday, Dec. 9 and 10. Visit The Bushnell.
Another Frosty is at The Kate on Sunday, Dec. 11. The Theatreworks USA production features original music. The plot has been changed from the popular TV version. In this version, “A young orphan named Billy discovers magic in a stolen hat. When he places the hat on a snowman’s head, the snowman comes to life! But can Frosty the Snowman help Billy find his real family in time for Christmas?” It’s recommended for K-5. Visit The Kate.
I don’t know when it happened, but concerts on the theme of Celtic Christmas have become very popular; it probably traces back to the very popular Irish Tenors and their concerts and TV shows. So for lovers of all things Celtic, there are many choices.
The Kate has too such shows. On Saturday, Dec. 3 the Tartan Terrors performs Christmas Celtic Style which includes comedy, music and dance. On Thursday, Dec. 22, Cherish the Ladies, a Celtic Christmas features five talented women. According the press materials, the evening includes “a blend of virtuoso instrumental talents, beautiful vocals, captivating arrangements, and stunning step dancing. “ Visit The Kate.
Lyman Center at Southern Connecticut State University presents Christmas with the Celtic Tenors on Sunday, Dec. 18. Matthew Gilsenan, James Nelson and Daryl Simpson preform music from classical to folk to Irish and pop. Recently they have added a more contemporary edge. For tickets, visit Lyman Auditorium.
Orchestra New England gets the holiday season off with its 37th annual Colonial Concert on Saturday, Nov. 26 at United Church on the Green, New Haven. Under the direction of James Sinclair, the concert takes us back to the music and atmosphere of the Colonial Era with a mixture of familiar classical music, holiday music and some long forgotten music. Wigs, candles and waistcoats as Thomas Jefferson, minister to France, visits New Haven. For tickets, call 203-776-4690 or visit Orchestra New England
The Elm City Girls’ Choir will join the New Haven Symphony Orchestra’s Pops Concert, Holiday Extravaganza. The two shows, Saturday, Dec. 10 (at Hamden Middle School) and Sunday, Dec. 11 (Shelton High School) almost always sell out early. It features a mixture of light classics as well as popular holiday music and carols. Santa often appears and there is a sing-along. Tickets and information are available New Haven Symphony or 203-865-0831.
The Hartford Symphony annually presents its Holiday Cirque Spectacular under conductor Carolyn Kuan at The Bushnell. While the Symphony plays various holiday inspired music, the Cirque de la Sumphonie which includes aerialists, contortionists and jugglers perform. Visit The Bushnell..
The Hartford Gay Men’s Chorus and the Connecticut Gay Men’s Chorus both have holiday concerts. These are talented musicians and their shows feature great arrangements and often some humor. The HGMC performs A Wish Come True! Friday to Sunday, Dec. 2-4 at the Aetna Theater at The Wadsworth Atheneum Museum of Art. For tickets. Tickets are available at HGMC.
CTGMC performs its holiday show Christmas Stories Saturday and Sunday, Dec. 17 and 18 at the theater at the Co-op High School for the Arts on College Street, New Haven. For information and tickets visit CTGMC
Trinity Church on the Green in New Haven has had a men and boys choir since the 1880s and added a Girls and Men Choir in 2003. The two choirs have toured and performed throughout the US, Canada and England. This year’s concert includes Benjamin Britten’s A Ceremony of Carols and carols from The Alfred Burt Carol Collection. These were written by Burt, a well-known American composer and sent as annual Christmas cards. The annual Christmas Concert is on Friday, Dec. 16. A donation is requested; for information visit: Trinity Chruch on the Green or 203-776-2616.
The Humorous and Cynical
Sometimes we need some spice mixed with our holiday good feelings. TheaterWorks in Hartford is bringing back its very successful Christmas on the Rocks from Tuesday, Nov. 29 to Friday, Dec. 23. It’s accurately described as “an offbeat collection of twisted holiday tales”. A number of current playwrights have contributed scenes that show how the children from famous Christmas tales – from Ralphie and Tiny Tim to Charlie Brown and Clara from The Nutcracker turned out as adults. This year, a new scene has been added. Last year’s cast — Ronn Carroll as the bartender, Jenn Harris as the female characters and Matthew Wilkas as the male return. Tickets are on sale at TheaterWorks or 860-527-7838.
The Kate presents Will & Anthony’s Broadway Holiday on Friday, Dec. 2. Will and Anthony Nunziata are a singing and comedy duo (they are brothers). It’s billed as reminiscent of the classic Christmas specials of Bing Crosby with a contemporary flair and celebrates the joys of life, music and family. The concert includes fresh takes on classic Christmas songs along with Broadway hits and Italian music. Expect to hear such songs as “Joy to the World,” “I’ll Be Home for Christmas,” ”Silent Night,” “The Christmas Song,” “Lullaby of Broadway,” “O Sole Mio” and more. Tickets are at The Kate.
The Santaland Diaries, based on David Sedaris’ book takes the stage at the Shubert in New Haven, Friday, Nov. 25 to Sunday, Nov. 27. The one man show recounts the adventures of an out-of-work actor who becomes one of Santa’s elves at the Macy’s on 34th Street. It’s a behind-the-scenes look. Call the box office at 203-562-5666 or visit Shubert.
West Hartford’s Playhouse on Park is presenting a “strictly adult” show, Mama D’s Chirstimas Stocking, described as a celebration of all things sexy and bawdy in an evening of music, dance and comedy. Shows begin December 9 and run on selected dates to December 30. Plus there is a special New Year’s Eve show with lots of extras. For tickets, please call our box office at 860-523-5900 x10 or visit Playhouse on Park.
Connecticut’s Joe Landry adapted the classic film It’s a Wonderful Life into an unique stage presentation. The holiday classic is brought to live as a live 1940s radio broadcast complete with microphones and the sound effects man. This show has been performed throughout the country. You can see it this year at MTC (Music Theater of Connecticut) in Norwalk weekends, Friday Dec. 9 to Sunday, Dec. 18. For tickets call 203-454-3883 or visit MTC.
Elf became a new classic almost from the time the film starring Will Ferrell and old time stars was released in 2003. In 2010 Elf – the Musical hit Broadway earning several Tony nominations. Each year since then, there’s been a tour of the show. This year, Elf – the Musical at the Shubert in New Haven from Tuesday, Dec. 20 to Saturday, Dec. 24. I enjoyed the show and the CD; it is a tuneful delight. Call the box office at 203-562-5666 or visit Shubert.
Ivoryton Playhouse is continuing its multi-part Christmas story, The Bells of Dublin with Part III: A New York Fairytale. Once again it is written and directed by artistic director Jacqueline Hubbard. This year, Paddy brings his whole family to NYC for the holidays where on Christmas Eve at O’Lunney’s Pub, Maggie the bag lady settles in to weave a story of the holidays. The Christmas carols, Irish songs and a little vaudeville. R. Bruce Connelly heads the cast of audience favorites. It runs Wednesday, Dec. 7 to Sunday, Dec. 18. For tickets visit Ivoryton Playhouse or call 860-767-7318.
This content courtesy of Shore Publications and zip06.
Inside notes and comments about Connecticut and New York Professional Theater
By Karen Isaacs
Oscar Winner in Hartford: Richard Dreyfuss, who won an Oscar and has performed before in Connecticut at Long Wharf, has joined the cast of Relativity, at TheaterWorks. The new play by Mark St. Germain is about a mystery in Einstein’s life: the birth of a daughter in 1902 who was never heard about after 1904. Years later, Einstein is questioned about it by a young reporter. Dreyfuss will play Einstein. Artistic Director Rob Ruggiero directs. The play runs to Nov. 13. For tickets visit TheatreWorks.
Bank Ad Causes Controversy: Wells Fargo Bank probably thought the ad series for the Teen Financial Education Day (Saturday, Sept. 17) was just clever. But the ad series raised the ire of the artistic community, so much so that the company issued an apology and withdrew the ads. The headlines in the ads featured phrase such as “a ballerina yesterday. An engineer today.” These headlines were interpreted as implying that artists would be better served by going into the sciences. Social media is awash in variations on the idea, such as “Bob Newhart – an accountant yesterday, a comedian and star today.”
Theater’s Loss: The death of Edward Albee at the age of 88 is an enormous loss for not just American theater but the world. While he is best known for his biting but humorous look at marriage in Who’s Afraid of Virginia Woolf? his other works often shocked and puzzled audiences while exploring important issues about relationships. Connecticut audiences were blessed to see fine productions throughout the state: Mark Lamos directed several excellent productions at Hartford Stage, as did Michael Wilson. Long Wharf had a memorable production of Virginia Woolf starring Mike Nichols and Elaine May.
Tickets on Sale: Tickets are on salefor the new musical Anastasia which had its premiere at Hartford Stage last spring. Tickets are available at Telecharge.com. Also going on sale are tickets for the musical Charlie and the Chocolate Factory which will star two-time Tony winner Christian Borle which opens in April. It’s also available at Telecharge.
Broadway Notes: Tony nominees Kate Baldwin will play Irene Molloy and Gavin Ceel will play Corneilus Hackl in the Bette Middler – David Hyde Pierce revival of Hello, Dolly! which opens this spring. The first day that tickets were on sale via Telecharge, sales exceeded $9 million. Something Rotten! closes on January 1 after an almost two year run; Jersey Boys will also end it’s 11-year run on Jan. 15. Following it into the August Wilson Theater will be the musical, Groundhog Day which won raves in London. Andy Karl stars. There’s some talk that Colin Firth may star as Professor Higgins in a revival of My Fair Lady; we can only hope. If you can’t get tickets to Hamilton you may be able to get tickets to the parody Spamilton which was developed by the creator of Forbidden Broadway. Lin-Manuel Miranda has apparently given his approval. It runs through Oct. 30, off-Broadway. Tickets are available at triad.nyc.com/buy-tickets.
Goodspeed Next Year: Goodspeed next year will present two revivals and a new version of musical flop PLUS three new musicals at The Terris Theater. The season opens with the Tony-winning Thoroughly Modern Millie (April 21-July2), followed by the classic Rodgers & Hammerstein’s Oklahoma1 (July 14 –Sept. 28) and the season concludes with a revision of the Charles Strouse (Annie) and Stephen Schwartz (Wicked) musical Rags (Oct. 6-Dec. 10). At The Terris Theatre are the new musicals Deathless (June 2- July2), Darling Grenadine (Aug. 18-Sept. 17) and A Connecticut Christmas Carol (Nov. 17-Dec. 24). Season tickets are now on sale at 860-873-8668. Tickets for individual productions go on sale Feb. 19th.
Off-Broadway Notes: The Classic Stage Company is presenting the world premiere of Dead Poets Society directed by Tony winner John Doyle based on the film. Jason Suderikis stars in the Robin Williams role. It begins previews Oct. 27. For tickets call 212-352-3101 or visit Classic Stage. The Signature Theatre Off-Broadway is presenting Athol Fugard’s “Master Harold” …. and the Boys began on Oct. 18. The play had its world premiere at Yale Rep. Fugard will direct the work. For tickets call 212-244-7529 or Signature Theatreg.
What Kind of Fool? Seven Angels Theater in Waterbury is continuing the Anthony Newley trend in Connecticut with He Wrote Good Songs. Earlier this year there was a concert of his music at the Madison Library, and then a reimagined production of his musical (with Leslie Bricusse) The Roar of the Greasepaint, the Smell of the Crowd at the Goodspeed’s Terris Theater. Newley was a British actor, singer, songwriter and more who wrote musicals and hit songs: “Goldfinger,” “The Candy Man,” “What Kind of Fool Am I?’ and “Who Can I Turn To? among others. Jon Peterson has conceived, written and will perform the show. He has done similar work with a show on George M. Cohan. The one man show runs Nov. 3 to Nov. 27. For tickets, call 203-757-4676 or visit Seven Angels.
New Musical: Ivoryton is presenting the Connecticut premiere of Tenderly: The Rosemary Clooney Musical from Oct. 26 to Nov. 13. Clooney started as a band singer, moving on to recording a number of pop hits in the ‘50s and developing a movie career. Later in life she was a respected jazz and cabaret artist. The musical is described as a biography with her signature songs woven into her story – both her professional life and her struggles in her personal life which included marriage to actor Jose Ferrer and five children. For tickets call 860-767-7318 or visit Ivoryton.
Suspense: MTC in Norwalk is presenting the Tony-winning thriller, Sleuth from Nov. 4 to Nov. 20. The play which also had a successful film that starred Sir Laurence Olivier and Michael Caine, is a cat-and-mouse thriller about a celebrated mystery writer and the younger hairdresser who is his wife’s lover. For tickets call 203-354-3883 or visit MTC
Starting the Holidays: The Palace Theater in Waterbury is presenting the excellent A Christmas Story: The Musical on Nov. 18 and Nov. 19. The musical is based on the classic Jean Shepherd story and subsequent film. The show itself was nominated for several Tony awards during its Broadway run. For tickets call 203-346-2000 or visit Palace Theaterg.
Five More Years: In a somewhat unprecedented move, James Bundy has been reappointed as Dean of Yale School of Drama and artistic director of the Yale Repertory Theater. This,his fourth term, will begin July 1, 2017. It’s unprecedented because previously Yale has limited most Deans – including the Drama School to two terms (10 years) though some served an extra year while the search for a successor was on-going. During his tenure the Yale Rep has produced numerous world and American premieres two of which have been Pulitzer Prize finalists. Congratulations.
Helping the Area Economy: The International Festival of Arts & Ideas which ran June 10-25 generated an economic impact exceeding $15.4 million for the region’s economy. The study was done by Quinnipiac University. It is based on attendance and ticket sales and reported visitor behavior. Other figures: visitors reported spending an average of $140 on food, retail, lodging and transportation. The Festival employed 213 full and season staff. Local vendors, venues and rental companies were hired to help. In addition the 855 artists and speakers required 766 hotel nights in the greater New Haven area.
Election Drama: I don’t usually write about community theater productions though many are excellent. Just too many shows, but I will make an exception for Now or Later at Square One Theatre in Stratford. Why? The play, which I’m unfamiliar with, is written by Christopher Shinn a Connecticut native (An Opening in Time, Dying City) and it is very relevant. The play, which runs Nov. 3 to Nov. 20 is about a presidential election and what happens’ when controversial photos of the candidate’s college age son go viral, potentially sparking an international incident. For information visitSquare One; for tickets call 203-375-8778.
By Karen Isaacs
Gypsy is a classic musical that is not easy to pull off. It requires a terrific actress for Mama Rose, strong supporting performers, and an ensemble. It has multiple sets and covers many years. It’s also one of the shows that recently has been done multiple times in Connecticut. Earlier this summer Tony winner Karen Ziemba played Mama Rose at Sharon Playhouse.
A director attempting to produce this show at a small theater with a limited budget is
really creating some barriers to success. But just as director Kevin Connors did last fall with Evita, he overcomes the hurdles as though they weren’t there. This is overall a terrific production.
Seeing it at the intimate MTC (Music Theatre of Connecticut) space in Norwalk where it runs through Sept. 25 lends an extra dimension to the show.
Connors has a small cast to work with but he has selected them carefully. He uses just four children in the show; six women play all the roles besides Mama Rose and Gypsy, and three men play everyone except Herbie. Yet you never feel like show needs more performers.
In case you don’t recall the story, it based very loosely on the early years of the famed stripper Gypsy Rose Lee whose stage door mother was determined in the 1920s to get Gypsy and her younger sister (who became the actress/director/playwright June Havoc) onto the famed Orpheum vaudeville circuit. The act that Mama devises stars “Baby June” and is weak to say the least. They stumble along because Mama does not give up and is sure she can make Baby June a star. Along the way, Herbie, a former agent, becomes enamored of Mama and serves as their agent.
The stage mother to end all stage mothers, Mama propels through sheer nerve, chutzpa and blindness the act to some limited success, but at a high price. As June hits the teenage years, she runs away to forge her own career. Mama then turns her effort to Louise (Gypsy) who has both less talent and less desire to perform. Plus, vaudeville is dying. Despite refurbishing the act – replacing young boys with young girls – Mama, Louise and Herbie struggle on until they are inadvertently booked into a burlesque house. When Mama encourages Louise to go on for the missing star stripper, Herbie leaves in disgust. Soon Gypsy (as she is now called) is a huge success and has cut the strings to Mama who wonders why she is always left alone at the end.
With a book by Arthur Laurents, music by Jule Styne and lyrics by Stephen Sondheim, the show is chocked full of terrific songs: from show biz anthems like “Everything’s Coming up Roses” to the tender “Little Lamb” and the terrific “All I Need Is the Girl,” “Some People,” and “You’ll Never Get Away from Me.” Of course, two highlights are “You Gotta Get a Gimmick” sung by three burlesque strippers and Mama’s ending soliloquy “Rose’s Turn.”
Kristi Carnahan is not a household name nor well known among Broadway aficionados. It was a wonderful surprise to see how she had both the acting and singing chops to bring this character life. While her Rose is totally oblivious to the wants and needs of her daughters, she is also blind to the true motivation behind her drive. She creates a Rose that emphasized the sadness and feelings of loss and disappointment within her. Kate Simone also brings out the pathos in Louise who really would prefer a live surrounded by a
“normal” family and lots of animals. More than in most productions, you see her disappointment when it is clear that Tulsa (the young dancer in the act) is in love with June. Yet she pulls off the transformation to star stripper with panache. Paul Binotto’s Herbie also emphasizes the longing of the character and also his awareness and anger at his own weakness.
Among the other cast members, Joe Grandy gives us a terrific Tulsa, and Jeri Kansas, Marca Leigh and Jodi Stevens are fine as the three strippers with gimmicks.
Becky Timms did a fine job with the choreography and Thomas Martin Conroy did the same with the musical direction. The four piece ensemble worked well and having
the Conroy at the piano stage was appropriate for the settings. The only disconcerting note was the very opening — the few bars from the seccond keyboard sounded like a full orchestra with violins which made me think that it was recorded. It wasn’t but the transition to the smaller and more real sounding combo was off-putting.
The set by Carl Tallent, costumes by Diane Vanderkroef and wigs by Peggi De La Cruz added to this production.
If you have never seen Gypsy or haven’t seen it in a while, please go see this production. It is fine.
Gypsy is at MTC, 509 Westport Ave., Norwalk through Sept. 25th. For tickets call 203-454-3883 or musictheatreofct.com.
By Karen Isaacs
Each year as I start to think about the upcoming theater season in Connecticut, certain productions jump out at me. Some revivals, new plays or cast/production teams seem to guarantee an exciting evening in the theater.
So, let me tell you about the productions that most excite me, listed by dates.
This summer has already given us some productions that I was anticipating with pleasure – most of them delivered including Bye, Bye Birdie at Goodspeed, The Invisible Hand at Westport, and Rent at Ivoryton though that might have been better.
Joe Orton’s comedies may be not for everyone, but they definitely are for me and Westport Country Playhouse has proved it knows how to do them – particularly when John Tillinger is directing. Add in Paxton Whitehead and What the Butler Saw (Aug. 23-Sept. 10) should be a laugh fest.
Man of La Mancha has had only an occasional production in the last few years. While it is not one of my top ten favorite musicals, I am looking forward to the Ivoryton production (Sept. 7 – Oct. 2) in part because David Pittsinger has a magnificent voice for the part.
Goodspeed is presenting another new musical in its third slot this year. Chasing Rainbows (Sept. 16-Nov. 27) has potential, so I’m interested. It combines the making of The Wizard of Oz and the early life of Judy Garland.
Steve Martin writes quirky, humorous plays: I’m looking forward to the world premiere of his latest, Meteor Shower at Long Wharf, Sept. 28-Oct. 23.
I’m also anticipating Yale’s opening production; a new play by Sarah Ruhl’s Scenes from Court Life or the whipping boy and his prince (Sept. 30 –Oct. 22) about Charles I and II of England AND Jeb and George W. Bush.
Mark Lamos directing a musical is a formula for success. Plus, I have fond memories of Camelot since I saw the original production. So I’m looking forward to Lamos’ reimagined production at Westport (Oct. 4 -30).
I see potential in Tenderly: The Rosemary Clooney Story also at Ivoryton (Oct. 26 – Nov. 13). It’s billed as not just a juke-box musical; its success will depend on the quality of the book based on Clooney’s life.
I’ve seen Hartford Stage’s production of A Christmas Carol: A Ghost Story of Christmas multiple times; but I will see it again this year, Nov. 26 – Dec. 31.
Brien Dennehy and John Douglas Thompson – two fine actors are bringing Samuel Beckett’s existential classic Endgame to Long Wharf, Jan. 4 – Feb. 5. This will be a must see.
Combine Shakespeare, in this case the raucous A Comedy of Errors and director Darko Tresnjak and I will definitely want to attend. It’s at Hartford Stage, Jan. 12 –Feb. 12.
Another world premiere that sounds interesting is at Long Wharf, Feb. 15-March 12. Napoli Brooklyn is a co-production with NYC’s Roundabout Theater.
Yale always has an interesting season. This year I’ve circled the Stephen Sondheim/John Weidman Assassins, March 17-April 8; it is a fascinating musical that I’ve seen several times and want to see again.
End of the Rainbow. Judy Garland is a beloved performer whose life was marred by drugs, alcohol and tragedy. This play looks at her later years; it won acclaim in London and Broadway; if a terrific actress plays Judy, this should be compelling. (MTC – April 7-23).
Broadway saw Shufflin’ Along the story of a 1920’s African American musical last season; now Seven Angels is bringing Trav’lin – the 1930s Harlem Musical to Connecticut, May 11-June 11. It features music and lyrics by Harlem Renaissance composer J. C. Johnson; I know little about him but he wrote “The Joint Is Jumpin’” among his works recorded by Billie Holiday, Bessie Smith, the Boswell Sisters and others.
I love George Bernard Shaw and his plays have recently not been done enough in Connecticut. So I’m delighted that Darko Tresnjak is directing Shaw’s Saint Joan, May 11 – June 11, at Hartford..
Connecticut theater goers will be blessed with productions of two of August Wilson’s plays. The Piano Lesson which premiered at Yale will be at Hartford Stage, Oct. 13-Nov. 13. Yale Rep will present Seven Guitars, Nov. 25 –Dec. 17.
But just about every play on Yale’s and Hartford Stage’s schedule sounds interesting.
Touring productions are in a different category. A number of award winning productions will play Connecticut this year, including:
Tony winning A Gentleman’s Guide to Love and Murder is at the Bushnell, Oct. 25-30. If you didn’t see its birth at Hartford Stage, and I did as well as on Broadway, see it again.
In fact the entire Bushnell season looks great – I loved An American in Paris, Nov. 15-20; The King and I, May 30-June 4, won the Tony for best revival and the play The Curious Incident of the Dog in the Night-Time, Dec. 27-Jan. 1 is magnificent.
I’m also looking forward to Elf the Musical at the Shubert, Dec. 20 -24. This stage version of the classic movie has a delightful score.
I’m sure that other productions will pleasantly surprise me. I’m constantly amazed at how excellent theater in Connecticut is. And unfortunately some of the things I am most looking forward to will disappoint me.
By Karen Isaacs
The night after the Tony Awards, Monday, June 13, Connecticut theater celebrated its best and brightest achievements at the Connecticut Critics Circle Awards program at Hartford Stage. Indecent which had its world premiere at Yale Rep last fall was named Outstanding Production of a Play and Anastasia which has just concluded its world premiere at Hartford Stage was named Outstanding Production of a Musical. Indecent is currently playing off-Broadway where it has received rave reviews.
While there was no red carpet – maybe next year – the 26th annual awards program sponsored by the organization that represents many of Connecticut’s print, radio, and other media theater critics – was an exciting event.
Hartford Stage and TheaterWorks co-hosted the event on the Hartford Stage with the set of Anasatsia as background. Tina Fabrique, who has performed throughout the state and just completed a run at Connecticut Repertory Theater, served as emcee.
Throughout the evening, many presenters and winners referred to the shooting in Orlando that had occurred just two days before. All stressed how inclusive, welcoming and supportive the arts and theater are and hoped that they could serve as a model for all the world.
While some winners were working away from Connecticut and could not attend (Darko
Tresnjak was in Los Angeles directing an opera), those present not only expressed their gratitude for the awards but also for the supportive environment that Connecticut’s theaters provide and the responsive and welcoming nature of the audiences.
Teren Carter who received the award for Outstanding Featured Actor in a Musical for Memphis at Ivoryton deeply moved the audience as he dedicated the award to a young relative who had just recently been shot and killed in Baltimore. He said that his involvement with theater beginning at 13 may have saved him from a similar end.
In his opening remarks, TheaterWorks Producing Artistic Director Rob Ruggiero, said that while the Tonys were all about Hamilton – the Broadway smash, the evening was going to be all about Anastasia, the Broadway-bound musical that just premiered at Hartford Stage. But while he was correct, if you count the number of nominations and awards it won, many awards and nominations went to other theaters both large and small.
In fact, Ivoryton Playhouse was nominated was for 10 awards split between two shows: South Pacific and Memphis. The small Playhouse on Park in West Hartford received five nominations, for Hair and Wit. Music Theater of Connecticut in Norwalk was nominated for Vanya and Sonia and Masha and Spike and Evita. Co-host TheaterWorks was nominated five times for three different productions: Good People, Third, and The Call.
Yet the “major” theaters were also well-represented. Goodspeed received five nominations for Anything Goes and La Cage aux Folles. It should also have “reflected glory” for the nominations Long Wharf received for My Paris, which had its first major workshop at the Norma Terris Theater last summer. Westport Country Playhouse received 10 nominations: Red (5), And a Nightingale Sang (2), Broken Glass (1), Art (1).
But Yale Rep, Long Wharf and Hartford Stage led the way in both nominations and awards.
Yale had 15 nominations for Indecent (7), The Moors (5), Happy Days (2) and Cymbeline (1). Long Wharf garnered 17 nominations; the most for My Paris (11), with Disgraced (5) and Measure for Measure (1). Eighteen nominations went to Hartford Stage productions: Anastasia (11), Rear Window (4), Body of an American (2), and Romeo & Juliet (2).
The Tom Killen Award for outstanding contribution to Connecticut Theater was presented to Annie O’Keefe. During her long career she has served as Long Wharf and Westport Country Playhouse, as stage manager, production manager, Artistic Director and more. During the presentation letters were read from actor John Lithgow, former Long Wharf Artistic Director Arvin Brown and Darko Tresjnak,
Hartford Stage’s artistic director.
Other award recipients are:
Outstanding director of a play: Rebecca Taichman for Indecent.
Outstanding director of a musical: Darko Tresnjak for Anastasia.
Outstanding actor in a play: Rajesh Bose for Disgraced at Long Wharf Theatre
Outstanding actor in a musical: Bobby Steggert for My Paris at Long Wharf Theatre. Steggert has received several Tony nominations.
Outstanding actress in a play: Erika Rolfsrud for Good People at Hartford’s TheaterWorks.
Outstanding actress in a musical: Christy Altomare for Anastasia.
Outstanding choreography: Peggy Hickey for Anastasia.”
Outstanding ensemble: Indecent.
Outstanding featured actor in a play: Charles Janasz for Romeo and Juliet at Hartford Stage.
Outstanding featured actress in a play: Birgit Huppuch for The Moors at Yale Repertory Theatre.
Outstanding featured actor in a musical: Teren Carter for Memphis at Ivoryton Playhouse.
Outstanding featured actress in a musical: Mara Davi for My Paris.
Outstanding debut: Mohit Gautman for Disgraced” at Long Wharf Theatre
Outsanding set design: Alexander Dodge for Rear Window at Hartford Stage.
Oustanding costume design: (a tie) Linda Cho for Anastasia and Paul Tazewell for My Paris at Long Wharf Theatre. Tazwell had won a Tony Award for his costumes for Hamilton the previous evening.
Outstanding lighting design: Donald Holder for Anastasia.
Outstanding sound design: Darron L. West for Body of an American for Hartford Stage.
Outstanding projection design: Aaron Rhyne for Anastasia. at Hartford Stage
Special awards were presented to Lisa Gutkin and Aaron Halva, co-composers and co-music directors who created the Klezmer music for Yale Rep’s world premiere of Indecent. A special “Shout Out” was given to Vincent Cardinal who has been artistic director of the Connecticut Rep and department chair at UConn. He is leaving to go to University of Michigan where he will head the Department of Musical Theater.
Among the award presenters were Gov. Dannel F. Malloy and Cathy Malloy, CEO of the Greater Hartford Arts Council, O’Neill Theater Center founder George White, animal trainer Bill Berloni and Tony Award nominee (and Connecticut Critics Circle Award winner) Tony Sheldon, just completing a run at Goodspeed’s Norma Terris Theater in The Roar of the Geasepaint, the Smell of the Crowd.
Musical selections were performed by Tina Fabrique and nominee for South Pacific at Ivoryton (and Connecticut resident and opera star) David Pittsinger. He will be starring in Man of La Mancha at Ivoryton later this summer.
All Connecticut theaters with contracts with Equity, the major stage acting union, are eligible, over 14 theaters from Norwalk New Canaan to Storrs, and East Haddam.
This content is courtesy of Shore Publications and zip06.com