By Karen Isaacs
Singin’ in the Rain is a classic movie musical – most critics put it in the top five film musicals – that was converted to the stage in the 1980s and ran for approximately a year on Broadway.
Like other musical films made into stage shows – Gigi and Seven Brides for Seven Brothers come to mind – the stage productions usually come up short in comparison with the classic films. The range of settings, costumes and special effects are hard to duplicate on stage. The iconic film performances force stage directors to either try to duplicate them or go in totally new directions. Either is a minefield.
The Summer Theater of New Canaan (STONC) which performs in a tent in Waverly Park has taken a mixed approach. In some cases, it seems as though the show has been cast to resemble the film performances and in other places, to vary widely from them.
Overall this production, which runs through July 30 is enjoyable summer entertainment. It’s a good effort, but you won’t recall either the performances or the production when autumn arrives.
For those who don’t remember the film, the story is about the motion picture industry in the late 1920s as talking movies sweep the country. The two silent stars, Don Lockwood and Lina Lamont, have made a series of smash swashbuckling romances, all very similar. They’ve been built as a romantic screen couple which Lena assumes carries over into real life; Don has other ideas. In fact, he meets a plucky newcomer (Kathy Selden) and is smitten.
With the talkies now all the rage, the duos latest film is a bust even with talking in part because Lena’s voice does not match the sophisticated, romantic role she is playing. So the decision is made to turn it into a singing/dancing film since Lockwood (and his buddy Cosmo) had been in vaudeville. But Lena can’t sing. What to do? The idea is for Cathy to dub Lena’s speaking and singing voice.
All is well until with the new musical film a smash, Lena demands that Cathy continue to do that, thus giving up any career on her own. But Don, Cosmo and even the studio head come to the rescue, totally humiliating Lena.
The most famous song/number from the movie was Gene Kelly dancing in the street and splashing in puddles while it rains heavily.
Yes, STONC has rain on the stage.
Director Melody Meitrott Libonati has done a good job with a cast that includes a number of Broadway veterans and a 10 piece orchestra under the direction of Kenneth Gartman.
The difficulty is in either reproducing or recreating the iconic performances (Gene Kelly, Debbie Reynolds, Donald O’Connor and Jean Hagan as Lena).
David Rossetti is probably the most successful as Cosmo, the role played by Donald O’Connor. He doesn’t look or sound like O’Connor. Yet that is an advantage; he seems like a cross of O’Connor and Oscar Levant. His big number, “Make ‘Em Laugh” isn’t as athletic as O’Connor’s but still gets the point across.
Jody Stevens gets to play the villain, Lena Lamont. The role calls for the character to look like a ditzy platinum blonde, with the voice of a Brooklynite. Stevens carries it off well. In addition, she lets us know that underneath the “dumb blonde” routine lurks a conniving mind and steel will.
As Don Lockwood, Matthew Tiberi dances up a storm and has a good singing voice. Yet, somehow I did not feel the charisma needed for a character who is a movie star. He just seems like a pleasant, talented average guy.
With the role of Cathy Selden, too many directors cast the role in ways that will recall Debbie Reynolds – smaller stature and then compound it with hair that resembles her as well. Annabelle Fox is given the unenviable job of trying to create a Kathy that doesn’t seem like an imitation of Reynolds. She is only partly successful.
This isn’t entirely her fault. She sings and dances well, but too often line readings and gestures recall the film.
Doug Shankman has done a good job with the choreography – recalling some of the original dances but also creating new ones as well.
Overall, this Singin’ in the Rain is worth seeing as long as you understand that it isn’t going to be the classic film.
For tickets visit STONC.
Inside notes and comments about Connecticut and New York Professional Theater
By Karen Isaacs
“All that Jazz”: The long-running musical Chicago by Kander and Ebb hits the Ivoryton Playhouse stage, Sun. July 24. Todd Underwood is directing and choreographing the musical which features several performers familiar to Ivoryton audiences: Christopher Sutton as Billy Flynn, Lynn Philistine as Roxie Hart and Sheniqua Trotman as Mama Morton. For tickets visit ivorytonplayhouse.org or call 860-767-7318 for tickets.
On Sale Now: Tickets are now sale for the Palace Theater, Waterbury’s presentation of Dirty Dancing – The Classic Story on Stage scheduled for Oct. 7-9. For tickets call 203-346-2000 or visit palacetheaterct.org.
Nostalgic Music at Long Wharf: If you are looking for a light-weight but enjoyable entertainment on a hot summer night, Long Wharf is bringing back the production of The Bikinis from Wed., July 13 to Sun., July 31. The excuse for stringing together lots of great songs from the ‘60s and beyond is the story of a hit girls group from the Jersey shore who, 20 years later are trying to raise money to preserve the Sandy Shores Mobile Home Beach Resorts. For tickets visit longwharf.org or call 203-787-4282.
Seven for Next Season: Playhouse on Park in West Harford is planning seven productions for its 2016-17 season. Three musicals are included: Little Shop of Horrors (Sept.14-Oct. 16), [title of show] from Jan. 11 to 29, and Rockin’ the Forest (March 29–April 9)) by stop/time dance theater. The Playhouse will also present: Unnecessary Farce (Nov. 2-20), Eugene O’Neill’s A Moon for the Misbegotten (Feb. 15 –March 5), Last Train to Nibroc (April 26-May 14); and concludes with The Complete Works of William Shakespeare (Abridged) – Revised Edition, June 28-July 30. For subscriptions or information contact playhouseonpark.org or call 860-523-5900 ext. 10. Tickets for individual productions go on sale Aug. 1.
Midsummer (a play with songs) in Hartford: TheaterWorks is presenting an aptly titled play, Thursday, July 14 to Sunday, Aug. 21. According to the press materials, “It’s a midsummer weekend in Edinburgh and it’s raining. Bob’s a failing car salesman on the fringes of the city’s underworld. Helena’s a high-powered divorce lawyer with a taste for other people’s husbands. She’s totally out of his league; he’s not her type at all. They absolutely should not sleep together. Which is, of course, why they do. Midsummer is the story of a great-lost weekend of bridge-burning, car chases, wedding bust-ups, bondage miscalculations, midnight trysts and self-loathing hangovers.” It was written by Scottish articsts indie rocker Gordon McIntyre and playwright David Gried. For tickets, call 860-527-7838 or visit theaterworkshartford.org.
One Musical, Two Productions: West Side Story will be at opposite ends of the state this summer. The Connecticut Repertory Theater at UConn in Storrs production runs through Sunday, July 17. Several Broadway performers are starring in the production directed and choreographed by Cassie Abate: Yurel Echezarreta (whose credits include Broadway’s Matilda, Aladdin, La Cage aux Folles and the 2009 West Side Story revival) plays Bernardo. Jose Lucas of (A Christmas Story) plays Indio; Luke Hamilton plays Tony and Julia Estrada is Maria. For tickets call 860-486-2113 or visit crt.uconn.edu.
The second production, at Summer Theater of New Canaan, runs through Sunday, July 31. Casting was not available at press time; STONC performs at Waverly Park under an all-weather, open-air tent theater. Seating is provided. For tickets or information call 203-966-4634 or visit stonc.org.
New Artistic Director: With the departure to the University of Michigan of Vincent J. Cardinal who has served as artistic director for many years, The Connecticut Repertory Theater which is part of the UConn’s theater program has named Michael Bradford as its new artistic director. Bradford has been at UConn since 2001 and is an accomplished playwright. Congratulations; I look forward to seeing in what direction he will take CRT in the coming years.
New York Notes: Tickets are now on sale for the Broadway run of Dear Evan Hansen, the off-Broadway musical that garnered many awards this past year. It opens Oct. 3 at the Belasco Theater with Ben Platt of Pitch Perfect starring as the teen struggling for identity amidst chaos. Tickets are available at telecharge.com. Telecharge is also now selling tickets for the revival of Les Liasions Dangereuses starring Janet Mcteer and Liev Shreiber. It begins previews on Oct. 8 and runs through Jan. 22. The all-star revival of the antic comedy Front Page begins previews Sept. 20 with a cast that includes Nathan Lane, John Goodman, Jefferson Mays, Rosemary Harris, Sherie Rene Scott and Robert Morse. Tickets are at Telecharge.
Did you know that CBS censored the signing in the performance of Spring Awakening broadcast on the Tonys? Some of the American Sign Language was changed; the last time the show was on the Tonys for the original production, CBS had them change some lyrics; this time the lyrics were OK but the signing wasn’t!
What Will Be Open? If you are planning Broadway theater-going in August or early September, it may easier to figure what IS playing rather than what has closed. Lots of theaters will be available for fall productions. Already closed are shows that won Tony awards for acting: Eclipsed, The Father, Long Day’s Journey into Night; all were limited runs. Also closed are the long-running revival of The King and I as well as the new musical Bright Star. In July the revivals of She Loves Me, The Crucible and Fully Committed will close. In a surprise, the producers of the new musical Shuffle Along, or… will close when Audra MacDonald goes on maternity leave. Late August and early September mark the closings of Finding Neverland, The Curious Incident of the Dog in the Night-Time, Les Miserables, Fun Home and An Act of God. Plus, earlier closings included American Psycho, Disaster, Tuck Everlasting, and the limited run of Blackbird. The only shows opening during the summer are the revival of Cats and the limited run return of Motown: the Musical.